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Wannabe (song)
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Wannabe (song) : ウィキペディア英語版
Wannabe (song)

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"Wannabe" is the debut single by the British girl group the Spice Girls. Written by the group members with Matt Rowe and Richard Stannard during the group's first professional songwriting session, it was produced by Rowe and Stannard for the group's debut album ''Spice'', released in November 1996. The song was written and recorded very quickly; the result was considered lacklustre by their label, and was sent to be mixed by Dave Way. The group was not pleased with the result, and the recording was mixed again, this time by Mark "Spike" Stent.
"Wannabe" is an uptempo dance-pop and pop-rap song that incorporates a mix of hip hop and rap. The lyrics, which address the value of female friendship over the heterosexual bond, became an iconic symbol of female empowerment and the most emblematic song of the group's Girl Power philosophy.〔 Despite receiving mixed reviews from music critics, the song won for Best British-Written Single at the 1997 Ivor Novello Awards and for Best Single at the 1997 BRIT Awards.
"Wannabe" was heavily promoted by the group. Its music video, directed by Jhoan Camitz, became a big success on the British cable network The Box, which sparked press interest in the group. Subsequently the song had intensive radio airplay across the United Kingdom, while the group performed it on television programmes and started doing interviews and photo shoots for teen magazines.
Released as the group's debut single in July 1996, "Wannabe" topped the UK Singles Chart for seven weeks and has received a double Platinum certification by the British Phonographic Industry (BPI). In January 1997 it was released in the United States, topping the ''Billboard'' Hot 100 for four weeks. It was the group's only number-one single in that country. By the end of 1996, "Wannabe" had topped the charts in 22 nations, and by March 1997 this number had climbed to 37.〔(Simon Fuller: Guiding pop culture ) BBC. Retrieved 18 September 2011〕 "Wannabe" became the best-selling single by a female group in the world, with 1,360,000〔 and 2,910,000〔 copies sold in United Kingdom and United States, respectively, and over 7 million copies worldwide by the end of 1997. In 2014, it was rated as the catchiest pop song of the last 60 years, and was named by ''Billboard'' in 2015 as "Pop Culture Smash".
==Background==
In March 1994 father-and-son team Bob and Chris Herbert, together with financer Chic Murphy, working under the business name of Heart Management, placed an advertisement in ''The Stage'', which asked the question: "Are you street smart, extrovert, ambitious, and able to sing and dance?" After receiving hundreds of replies, the management had narrowed their search to a group of five girls: Victoria Adams, Melanie Brown, Melanie Chisholm, Geri Halliwell, and Michelle Stephenson. The group moved to a house in Maidenhead and received the name "Touch". Stephenson was eventually fired because she lacked the drive of the other group members. She was replaced by Emma Bunton.〔Sinclair, 2004. pp. 27–30.〕 In November, the group—now named "Spice"—persuaded their managers to set up a showcase in front of industry writers, producers, and A&R men at the Nomis Studios in Shepherd's Bush, London.〔Halliwell, 1999. p. 168.〕〔McGibbon, 1997. p. 93.〕〔Sinclair, 2004. pp. 33–34.〕 Producer Richard Stannard, at the studio for a meeting with pop star Jason Donovan, attended in the showcase after hearing Brown, as she went charging across the corridor. Stannard recalls:

More than anything, they just made me laugh. I couldn't believe I'd walked into this situation. You didn't care if they were in time with the dance steps or whether one was overweight or one wasn't as good as the others. It was something more. It just made you feel happy. Like great pop records.〔Sinclair, 2004. pp. 40–41.〕

Stannard stayed behind after the showcase to talk to the group. He then reported to his songwriter partner, Matt Rowe, that he had found "the pop group of their dreams". Chris Herbert booked the group's first professional songwriting session with the producers at the Strongroom in Curtain Road, East London in January 1995.〔 Rowe recalls feelings similar to Stannard's: "I love them. Immediately. () They were like no one I'd met before, really." The session was productive; Stannard and Rowe discussed the songwriting process with the group, and talked about what the group wanted to do on the record.〔 In her autobiography, Brown recalls that the duo instinctively understood their point of view and knew how to incorporate "the spirit of five loud girls into great pop music".〔Brown, 2002. p. 175.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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